Spielberg often directs provocative films, but recently he has relied on obvious tropes to depict his characters and plots; they are often so cliched that I could not help but wince in the theater and was told to shush by another patron. Drama is"heightened" by placing familiar barriers in the path of the fulfillment of a time-sensitive mission. Ie: a car almost hitting a copy boy running to deliver important papers. Sigh.....
On the other hand, it is worth seeing THE POST (referring to The Washington Post newspaper) and its 1971 role in the publication of The Pentagon Papers which exposed the hypocrisy of United States Presidents going back to Truman, on the reality of the so-called "successes" of American soldiers fighting in Indo-China, the area later known as Vietnam, Cambodia and Laos.
The source of these potent revelations was Daniel Ellsberg who today, at 86 is making the talk-show rounds reliving for a new audience his historical whistleblower experience; the extraction of top secret papers from the Rand Corporation and secretly giving them to The NY Times and The Washington Post for publication.
Tom Hanks appears especially fit - what happened to his doughy face of yore? Here he looks svelte and passionately portrays Ben Bradlee- a bit of a strutting peacock - the Post's Executive Editor, who believes it is critical to get this story out to the public. Freedom of the press and the unraveling of lies and propaganda in the search for truth is this journalist’s credo.
Meryl Streep as Katharine Graham is both overly awkward (Spielberg making a point and overdoing it) and a fierce defender of the paper her family has run for years - a newspaper that often comes in second when being compared to the NY Times, and one that is in financial difficulties. Being a woman running a paper, surrounded by men who do not take you seriously, is challenging and we see the evolution of Graham’s confidence and resolve in doing what she intensely feels is right - and the respect eventually accorded her by the men who only saw her as a presence to be tolerated.
THE POST resonates at this time because of Trump’s “FAKE NEWS” crusade to silence the voices of criticism and the many women who are screaming to be taken seriously in the workplace - not only in 1971 but just as fervidly today.