Wednesday, October 15, 2014

THE DROP 10/15/14

James Gandolfini’s last film, THE DROP is a good one starring Tom Hardy (who I loved in LOCKE), Noomi Rapace and James kinda movie full of contrasts. Written by MYSTIC RIVER’S  Dennis Lehane and directed by Michael R Roskam, this darkly filmed tale of “redemption” - an “innocent” man beautifully played by Tom Hardy as Bob Saginowski, a seemingly clueless individual bartender tending bar in a neighborhood Brooklyn hangout; a place where there is both laughter, joy, and deceit, working for his burly cousin Marv (Gandolfini ) whose questionable ethics precipitates a deadly confrontation with Chechen mobsters who use The Bar  as a place for their underworld “money drop” (laundering) operations.

Great actors operating in luscious, yet stark environs, with a tension that does not let up evident in the terse, almost silent dialogue. One night the "repentant" man walking home  from work  - a man  who tries to live a quiet solitary existence - saves the life of an abused pit bull dog; this act propels the plot and alters the situation of key figures in the movie. The cocoon that encased Hardy unravels with the yelp of a vulnerable near-death puppy; and with it a protective instinct  is generated which extends to Noomi Rapace - a frightened demoralized young woman whose house and property are pierced by the cries of the anguished dog - a psychotic message delivered in a garbage can.

Other characters menace and stir unrest and danger - the plot becomes convoluted and there are scenes giving us the back story of Marv’s (James Gandolfini) domestic arrangement with his sister, a man in debt, a father in a nursing home and enormous pressure to get out of town - to get away from it all. His cousin Bob Saginowski is unflappable observing what is going on, but at the same time sympathy and tenderness begin to penetrate his sentient “stillness.” This could be considered a familiar oft-told- tale, but what makes it a successful movie is THE DROP ’s study of the humanization of a person who has “dropped out” and the stoic Tom Hardy who does not say much, but through facial and body movements conveys the deeply human need for connection.

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