Here is a link to the article: Please comment on the Women's Voices For Change site if you wish. Enjoy!
Women's Voice For Change Article
https://womensvoicesforchange.org/grace-visits-artist-cicely-cunningham.htm
Cicely Cottingham Website
More images in the order that they are mentioned in the article: CLICK ON IMAGES and THEY ENLARGE
SOMBRE STRETCH, 26”x80”, charcoal with pastel on paper, 1984 |
WINTER MOON, 30”x22 1/2 “, charcoal on paper, 1984
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NIGHT TREES 4, 30”x22 1/2 “, charcoal on paper, 1987
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WHEN YOU DREAM YOU’RE INNOCENT, YOU’RE INNOCENT WHEN YOU DREAM (FROM A SONG BY TOM WAITS), 8”x10”, oil on wood, 1987/88
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THROB, 8”x10”, oil on wood, 1988
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SHE WAS AS A TREE AGAINST A CLOUD OF VAPOR, 15”x11” ea. panel (4 panels), oil on wood, 1990
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THE PREMONITION, 24”x18” ea. panel (4 panels), 1992
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TRUE BLUE CONTINUED #6, 64”x48”, oil on wood panel, 1998
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16 PAINTINGS FOR MARJORIE (GONE), 64”x48”, acrylic on wood panels, 2000/2003
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16 PAINTINGS FOR MARJORIE (MARJORIE’S GARDEN), 64”x48”, acrylic on wood panels, 2000/2003
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Now you feel how nothing clings to you (raw and tender), 15”x11”, Oil stick on wood panel, 2011
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Now you feel how nothing clings to you (Kaieteur), 16”x12”, Acrylic on panel, 2012
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EVERYTHING IS SKY (here is your home), 20”x16”, Acrylic on panel, 2014
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Thank you so much for this introduction to this artist's gorgeous work. I want to touch her paintings, particularly True Blue #6. So tactile and rich. Her charcoal of the moonlight on the trees is another favorite. I'm off to visit her website to see more!
ReplyDeleteI personally love True Blue # 6....Thanks Lisa.
DeleteI remember the charcoal drawings like Film Noir,feeling the need to look over my shoulder as the light disappears. "Throb" is another jolt of memory having seen it many years ago in Cecily's studio. Her work as an emotional landscape is somehow very satisfying, open not closed. "Now you feel how nothing clings to you" becomes a clearing in the wood.
DeleteThanks for your comment!
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